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Digital Imaging Technician
Digital cinema cameras have ushered in a new realm of high quality imaging with interactive feedback. Our job is to help you get the most out of the new imaging technologies...to ensure the signal being recorded will yield optimal results in post. We are experienced with the latest cameras, including Red EPIC and ARRI ALEXA, and make sure that data integrity is maintained and post workflows actually work.
Mobile Digital Lab
The technology cornerstone of this service is our on-set DIT computer system. The cart-based Mac Pro ensures the fastest possible downloading of footage onto hard drives, allows for on-set color correction, checking footage for any problems, generating digital dailies if desired, and transcoding footage for post. The system also features live chroma keying to assist shooting foreground elements with pre-existing plates.
Our flagship on-set DIT system is a full mobile studio on wheels. This system is equipped for the most demanding projects:
Latest Generation Mac Pro
30" Apple Cinema display
Final Cut Pro
Red Rocket for realtime playback and transcoding of Red footage
Blackmagic video I/O
Blackmagic ATEM 1 M/E switcher
Cameras: Red EPIC, Red One, ARRI ALEXA, Sony and Panasonic cameras
Fast, secure transfer of camera original footage to hard drives
On-set realtime color correction with Davinci Resolve and Tangent Wave panel
Digital Dailies can be generated in a wide variety of formats including Final Cut and Avid
Real-time chroma keying to assist greenscreen shoots. Supports geometry to scale, position, and crop the foreground elements. Plates can be static or motion.
Stop motion animation and time lapse. Dragon Stop Motion software aids stop motion capture with live image lineup up and interactive sequence previews